The original Thor film was a curiosity of 2 parts. Directed by Kenneth Brannagh, the scenes on Asgard, the home planet/realm of Norse God Thor (Chris Hemsworth), were treated as weighty drama filled with Shakespearean import while the scenes on Earth were imagined as being somewhere between Hanna Barbera, Playschool and Charlie Chaplin. Suffice it to say, it was the latter sequences which stood out, while Asgard was stuffy, emotionless and ultimately tedious (as well as being a brilliant advert for Mr Sheen).
Thor: The Dark World looks to repeat the formula, though the lack of a Brannagh makes the Asgard scenes that little bit more approachable while the story sidelines the fantastic Loki (Tom Hiddleston) for the bland Makelith (Christopher Eccleston, who does his best in a thankless role), a trade off which perhaps balances the two sides a little better but still fails to produce a truly thrilling ride.
The story sees Makelith and his men imprisoned by Thor’s father some time ago, and escaping in the modern day to track down the magical Aether, a mystical power source which will enable Makelith to take over the world. Or something.
Meanwhile, Thor’s earth-bound girlfriend Jane Foster (Natalie Portman) stumbles across the Aether because of a thing. I mean really – does it matter? Is it even explained? Not really. Does it make sense? No. Does that matter? Not really.
The pace of the movie is just about fast enough, though the scenes on Asgard still drag it down, but ultimately the film is redeemed with a fantastically fun end sequence using portals. No, that doesn’t make sense either, but it’s pulled off with enough comic panache that it gets away with it.
Fun while it lasts.
Film length: 1hr 52mins – Feels like: 1hr 50mins